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“My house is four times the size of Trenwith. He’s not much of a romantic, but he had thought through this little lecture. What happened to shouting “Get off my land!” out of the window? Get a life, woman, and a fence.Įvil George’s declaration of love was hilarious. “Are you marrying him for his money?” “How dare you!” (Er, yes.) Seriously, Elizabeth, no one’s life is so lonely that they need to marry Evil George, even if people are coming and digging on their land. But before that, she was very much to blame for being stupid enough not to see through Evil George. If anything, we would like to be rid of all Evil Georges and not get more, thank you very much.Įlizabeth is not to be blamed for Ross foisting himself upon her in the middle of the night like some Cornish Heathcliff. Instead, Ross strayed into Evil George territory and no one asked for a second Evil George. It could have been filmed very differently. It risked us losing empathy for him, which is a dangerous game to play. I wonder if it betrayed our very idea of Ross, who needs to be a hero not an anti-hero. Yes, it was dramatic and gasp-worthy and will certainly be much discussed, causing many column inches which are no doubt useful to the ongoing commissioning of Poldark. I had many reservations about this scene. But Tankard bumped into Sir Hugh who was there too, candle in hand, fancying his chances.‘You must see I had no choice …’ no, you did have a choice Ross. Ghastly George Warleggan had set his creepy right hand man Tankard (below) on the mission to “debauch” Ross’s wife. Deadly serious, the stakes were high, but there was also something grimly comic about the queue that had built up outside her bedroom. She suddenly regretted her invitation, as is her right.
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And call him that she did before his nighttime foray into her room (“I know how to conduct an ambush my darling,” said the military man). “Would you consider calling me Malcolm,” said slippery McNeil – perhaps the first time those words have been used as a come-on before.
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The woman in the red dress had been put in the red room. Old lecher Bodregun (Patrick Ryecart playing the cad who had tried it on with Demelza before) thought he had a chance, as did Captain McNeil (Henry Garrett), who extracted a kiss from Demelza and the whereabouts of her room. While Ross was away trying to save his ailing mining business, she accepted the invitation to Sir Hugh Bodregun’s ball, wearing her red dress and becoming the objects of many male gazes. “To think I did always look up to you,” she said, reminding him of his vow to forsake all others when he became her husband. In remarks which neatly complemented Aunt Agatha’s comments about good men, Demelza upbraided Ross’s cocky suggestion that her pride was hurt with the riposte that her pride in him was the only thing that had been damaged. The wayward spouse was also consigned to a camp bed in the library but it didn’t take long for all Demelza’s passive aggression to come out into the open as very active bitterness and fury. She had eschewed her domestic duties which meant, in a nice touch, that Prudie (Beatie Edney) was in charge and Ross’s breakfast was inedible. She started the episode taking breakfast in her room, almost as if she were seeking to duplicate the ladylike ways of her rival.
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And Demelza? She is, you won’t be surprised to learn, hurt and angry. As Elizabeth longed for Ross, Ross was desperate for Demelza’s forgiveness.